Generated by All in One SEO v5.0.0.1, this is an llms.txt file, used by LLMs to index the site. # Dudley Saunders "a kind of hallucinatory power so forceful that one admires him for surviving it." The New York Times ## Sitemaps - [XML Sitemap](https://dudleysaunders.com/sitemap.xml): Contains all public & indexable URLs for this website. ## Posts - [Blog](https://dudleysaunders.com/blog/) - [What Spotify Got Right That Nobody Else Did](https://dudleysaunders.com/2015/03/28/what-spotify-got-right-that-nobody-else-did/) - One thing I learned early: you don't get a big career if you tell stories few people want to hear. Those are my specialty. That does not mean you can't have a career, of course. Especially in the internet age. (Tom Waits, for instance, famously described his work as "beautiful melodies telling me terrible things.") - [The Year of These Boxes](https://dudleysaunders.com/2014/11/22/the-year-of-these-boxes/) - If you've been following me through social media or my newsletter ... well, you've done better than reading my blog here. But the year of touring my transmedia/multimedia piece IN THESE BOXES draws to a close December 1, 2014 - World AIDS Day - and it seemed time. I'll skip the general news stuff and - [Catching Up with Penny Arcade](https://dudleysaunders.com/2012/03/24/catching-up-with-penny-arcade/) - A week away from the encore performance of MURDER MUSIC, I stopped in to LA's Human Resources for Semiotexte's book party/performance for (and by) Penny Arcade. An old friend, a compatriot, a - what's the word? - kindred spirit of long standing and real personal and cultural importance. The night was a mix of of - [Three Songs (so far) for the film UNITED IN ANGER](https://dudleysaunders.com/2011/09/10/three-songs-so-far-for-the-film-united-in-anger/) - I haven't made this public before, but two months ago I was asked to do music for Jim Hubbard's non-fiction feature, UNITED IN ANGER, about the original ACT UP New York.. It's the first film to incorporate material from the ACT UP Oral History Project, and the sections I've seen are incredible. They're working the film - [Abruptly, A New Song](https://dudleysaunders.com/2011/07/15/abruptly-a-new-song/) - I got almost two weeks to myself, and stayed home writing the whole time. I wasn't thinking of writing a Novelsong - I'd drifted away from that impulse some months ago. But then, suddenly, everything crystallized around the images from a novel.The hilarious thing? It's my novel. One I wrote. And even funnier? As with - [Stills from the premiere of IN THESE BOXES, July 2013](https://dudleysaunders.com/2013/09/22/stills-from-the-premiere-of-in-these-boxes-july-2013/) - All photos by Dean Carpentier. These images are from the music-and-video-art piece I'll be taking around the country starting January. Want to refer me to a gallery/space/church/whatever near you? Email me. - [The Performance Art Return](https://dudleysaunders.com/2013/07/20/the-performance-art-return-2/) - As most of you know, I was a solo performance artist until about 19 years ago, when shifts in the art world (as well as my own life) made me focus on recording the music. I did keep doing some performance art work, but as a dramaturg and director for Heather Woodbury and John Kelly, - [How I wrote THE ROSEWOOD CASKET (with apologies/thanks to Sharyn McCrumb)](https://dudleysaunders.com/2013/01/01/how-i-wrote-the-rosewood-casket-with-apologiesthanks-to-sharyn-mccrumb/) - I've been getting a lot of questions about this song - the last song on MONSTERS - so I thought I should post something. A few years back, I worked on a yet-to-be-filmed indie movie adaptation of Sharyn McCrumb’s Appalachian “Ballad” novel, The Rosewood Casket. Then I wrote a song by the same name which - [Notes from the San Francisco MONSTERS Tour](https://dudleysaunders.com/2012/11/14/notes-from-the-san-francisco-monsters-tour/) - For some reason, the minute I hit San Francisco I stopped being able to sleep properly. Two hours or so at a time. This gave my time there an irreal affect. Or maybe it was something else. One thing I began to notice in San Francisco is the way relationships have been changed by social - [MONSTERS are (is) here.](https://dudleysaunders.com/2012/09/29/monsters-are-is-here/) - One of the benefits of being an underground artist is that there is no pressure to stay the same. But now that I've recorded and Kickstarted and begun to play the first "record release" gigs, I find myself noticing two things. How much I've changed and how much I've stayed exactly the same. I'm still - [Kickstarting MONSTERS: 30 days & counting](https://dudleysaunders.com/2012/08/02/kickstarting-monsters-30-days-counting/) - So the second most important thing you can do for me is to share this Kickstarter video with your Facebook or Twitter friends: (If you can't see the link, paste this into your browser: http://www.kickstarter.com/projects/102196593/release-the-monsters-aka-dudley-saunders-new-album After that, I need your direct help: After fifteen months in the recording studio, three months doing prep in my - [Song Eruption at Murder Music](https://dudleysaunders.com/2012/02/04/song-eruption-at-murder-music/) - Murder Music was a hit: packed house, ecstatic crowd, etc. Sweet. Here's a link to the article on Patch. But a few nights before the show, my partner Barry woke up from a nightmare, yelling "Who are you?" A kind of abject terror flooded his voice. What is that particular horror you'd feel being murdered - [MURDER MUSIC is coming ...](https://dudleysaunders.com/2012/01/10/murder-music-is-coming/) - SATURDAY, JANUARY 28TH @ 8PM. I have these crazy ideas all the time but the Center for the Arts in Eagle Rock finally let me do one: An evening of modern and post-modern murder ballads by singer-songwriters who have their own peculiar takes on the modern heart-of-darkness. There'll be projections of old LA Crime Scene - [Dudley Saunders' acappella adaptation of Billy Edd Wheeler's COAL TATTOO](https://dudleysaunders.com/2011/11/28/dudley-saunders-acappella-adaptation-of-billy-edd-wheelers-coal-tattoo-2/) - [I Won't Learn](https://dudleysaunders.com/2011/11/09/i-wont-learn/) - It's happened again: with each record, there's a song I am convinced is boring, or not good enough, or I don't know what. But I grudgingly move forward with recording, thinking I'll delete it later, only to find out it's everyone's favorite. For the past few years, I've been struggling and nipping and tucking and - [The Epilogue of UNITED IN ANGER](https://dudleysaunders.com/2011/11/02/the-epilogue-of-united-in-anger/) - The latest is that I'll have maybe two pieces of music in the film United In Anger: A History of Act Up, but I'm no longer doing the score.After last minute discussions yesterday, I figured out that the filmmaker wanted something more musically transparent, backgroundy, where I was scoring the emotional ebbs and flows of - [Back from New York](https://dudleysaunders.com/2011/10/25/back-from-new-york/) - The weather changed my last days in New York, so I sniffled a bit through songs at the CMJ showcase - along with the other Mountain Stage NewSong Contest winners (including the wonderful Arthur Alligood who won the record contract with NewSong). But now I'm back in LA, rehearsing with my great band Ed Tree, - [On the Way to New York](https://dudleysaunders.com/2011/10/16/on-the-way-to-new-york/) - Leaving for performances in New York for the Mountain Stage NewSong Contest people, as well as a screening of the latest cut of UNITED IN ANGER: A HISTORY OF ACT UP. And then the day I return to LA, we have one last band rehearsal and then the full-band show October 25.I'm a little overwhelmed, - [A Name-Change, An Award and A Future](https://dudleysaunders.com/2011/10/06/a-name-change-an-award-and-a-future/) - Two names have changed actually: the new album and this blog. The big experiment of an album of songs all inspired by novels ultimately moved me past the novels and into other work. Once I faced and accepted that fact, I had to face the body of work I'd created and see exactly what it - [Four New Recordings & Their Future](https://dudleysaunders.com/2011/06/02/four-new-recordings-their-future/) - This isn't writing related, but what the hell: The first four tracks for the new album should be done by late June, with about three more close behind. Ed Tree is producing, and everything is better than I imagined or hoped.But lately a question keeps coming up: do I have to wait for a full - [Out of the blue, more love from the blogosphere](https://dudleysaunders.com/2010/12/04/out-of-the-blue-more-love-from-the-blogosphere/) - If it wasn't for bloggers, I sometimes think I'd have no career at all. They have balls the mainstream media can't imagine. Check this guy out - he even includes video:http://soundtracktomyday.blogspot.com/2010/11/great-music-dudley-saunders.htmlJust back from a fun New York gig. Head into the studio next week - stay tuned.Dudley - [Tour Diary Wrap-Up: The Dregs](https://dudleysaunders.com/2010/06/06/tour-diary-wrap-up-the-dregs/) - Somewhere toward the end of this tour, a newspaper wrote that I was “like Leonard Cohen with vocal chops.” A nice quote, yes, but also something to think about as I went into the last two shows, and thought back about the tour as a whole.Friday, I rolled into Poughkeepsie and finally met my booking - [On Tour, Part 3: The "San Francisco of Appalachia"](https://dudleysaunders.com/2010/05/28/on-tour-part-3-the-san-francisco-of-appalachia/) - More late night driving lands me still amped up enough to continue the tour diary a little bitty bit mo'.The title is what someone described Harrisburg, PA to me after my gig there at the Harrisburg Midtown Arts Center's Stage on Herr. For those out of geography class too long, Harrisburg is the state capitol - [On Tour, Part 2: The Night Before Maine](https://dudleysaunders.com/2010/05/27/on-tour-part-2-the-night-before-maine/) - I vaguely imagined I'd blog every night after every show. So, 2-1/2 shows to the end, I have learned better.Here's what you've missed:I rolled through the Virginia backroads (well, at least, the non-highway roads) to Charlottesville after my last post. I was excited about this show in particular because I was sharing the bill with - [On Tour, Part 1: 4 Dates In](https://dudleysaunders.com/2010/05/20/on-tour-part-1-4-dates-in/) - My friend Leslie asked me to do a tour blog and I decided she’s right. And since I’m playing with three unrecorded songs on this tour it still fits.Let me try not to overthink this:I just finished the 4th show about an hour ago. I’m in Atlanta, heading to Charlottesville, VA at the crack of - [Work vs. "The Work" and Kathy Acker](https://dudleysaunders.com/2010/02/05/work-vs-the-work-and-kathy-acker/) - Good things have shaken loose, and I've got three novelsongs in a state of excited half-completion. That's also the bad news. There's no writers block, though. There's just a time-block. Pretty simply, I'm lucky enough to be working full time at a great job (as jobs go), and it's making it impossible to put the - [Rats, Wind-Up Birds and Ambivalence](https://dudleysaunders.com/2009/08/31/rats-wind-up-birds-and-ambivalence/) - At the end of a weekend alone, I am realizing I was wrong about songs being more manageable than books: I only got a good work-groove going when I had nothing but free time and emptiness before me. My fingers hurt from playing and songwriting so much.You know, I've always had an ambivalent relationship with - [COUNT ZERO SONG arrives](https://dudleysaunders.com/2009/08/29/count-zero-song-arrives/) - I'm a little late embedding -- at least, I'm assuming it will embed. After much sturm und drang, William Gibson's COUNT ZERO has grown a song out of me. The title may change to THESE BOXES: - [Does anyone recognize this?](https://dudleysaunders.com/2009/06/05/does-anyone-recognize-this/) - I wondered if anyone could recognize the book from the opening lines:"They'll never forgive usFor what they did to usDon't even tryJust put that Pork Pie hat onYou are Marlon Brando'sfemale guise" - [Shock of the Neglected Blogger](https://dudleysaunders.com/2009/03/14/shock-of-the-neglected-blogger/) - In my sleeplessness, I came across Penny Arcade's blog, where she freely admitted she had blown off her own blog for months, and ... well, I'm shocked how long it's been for me too. But I'm guiltless, or feel guiltless -- I mean, this isn't supposed to be some marketing tool (is it?), where I - [Kundera Comes Back to Life](https://dudleysaunders.com/2008/07/29/kundera-comes-back-to-life/) - I guess I've written a few narrative songs in my time - LOCUST, maybe GUTTER BROKE, MUSHY-HEADED KID even - but for the most part I'm compelled by crystallizing moments and images. They make songs to me. I think THE UNBEARABLE LIGHTNESS OF BEING shut down on me because the full weight of the novel - [Success, Failure & A Holding Pattern](https://dudleysaunders.com/2008/07/14/success-failure-a-holding-pattern/) - The Kundera stopped dead in its tracks, I'm afraid. But then the long-languishing song from Sharyn McCrumb's THE ROSEWOOD CASKET kept nagging at me and, late one night about ten days ago, finally broke through and finished. You can't imagine the relief and you shouldn't want to. It took me two days to be sure - [Skipping Chekhov for Milan Kundera?](https://dudleysaunders.com/2008/06/15/skipping-chekhov-for-milan-kundera/) - An abrupt change: I've been rehearsing for tomorrow's show, feeling horrible about my work, just disconnected and crazy. Then I had to get out and eat, and tore up the house for my Chekhov. No dice. I took a pad with me anyway.On the way I passed a poster advertising a California Gay Marriage seminar, - [From Gaitskill to Chekhov, maybe](https://dudleysaunders.com/2008/06/14/from-gaitskill-to-chekhov-maybe/) - So it came down, finally, to three lines. Three lines I couldn't stop writing and rewriting. I'm talking about the song drawn from/inspired by parts of Mary Gaitskill's VERONICA. It was the kind of difficult place I've found myself in before, and in years gone by I would have tortured myself and possibly killed the - [Going Backwards to Go Forward](https://dudleysaunders.com/2008/05/25/going-backwards-to-go-forward/) - Pre-Memorial Day Saturday, I'm sitting in a high-windowed office watching thunderclouds fly over L.A. without quite raining. Inside, I'm watching video digitize, and footage from my first-ever music video unspools nerve-wrackingly in the corner of my eye. I'm always shocked to see what I actually look like; it bears almost no resemblance to what I - [Confession](https://dudleysaunders.com/2008/05/21/confession/) - OK, I've gotten complaints that I went radio-silent for two weeks. (I was warned, they reminded me, that frequency is more important than length in blogging.) So I will confess the reason, because it's so in keeping with the "Novelsongs" project.You see, I'm finishing a book. Yeah, a novel.I'm almost embarrassed to admit it. Once - [How VERONICA hurts](https://dudleysaunders.com/2008/05/01/how-veronica-hurts/) - The heat broke and L.A. became suddenly like autumn, a little chilly under the cloudless crazy blue sky, but I don't care. On my desk sits my dog-eared copy of Mary Gaitskill's book VERONICA. I always really really liked Mary Gaitskill, maybe more than liked, but this book destroyed me. It's so bizarre (in the - [L.A. Heat, Martin Amis and Rickie Lee Jones](https://dudleysaunders.com/2008/04/29/l-a-heat-martin-amis-and-rickie-lee-jones/) - L.A. turned into a frypan this week, which is different from New York's heat -- my old collaborator Heather Woodbury wrote about this in TALE OF 2CITIES -- she (or her character Miriam) called it "flattening" - "no melting pot this, but a FRYPAN!"Where was I? See? I lose my train of thought in this - [The Austin Experience](https://dudleysaunders.com/2008/04/19/the-austin-experience/) - Played Cafe Mundi, east of dowtown Austin: the sun was angling low and there are actual trees around the outdoor stage, and the place is festooned with the casual art and/or doodling of Texas hippies, and there's a railroad track at your back as you sing, and horse-carts clip-clop by from time to time so - [The Will Oldham Connection](https://dudleysaunders.com/2008/04/16/the-will-oldham-connection/) - I'd heard it before, but the other night I got an earful about how ... now I can't remember quite how it was phrased, but essentially, how my music gave the same emotional impact as Will Oldham's music.Now, Will Oldham and I both come from Louisville, Kentucky, and his name would come up occasionally after - [Post-Weimar New York ... in Los Angeles ... pre-Austin, Texas ....](https://dudleysaunders.com/2008/04/15/post-weimar-new-york-in-los-angeles-pre-austin-texas/) - Exhausted, I finally ducked into L.A.'s overweaningly hot club THE GREEN DOOR (as in the Marilyn Chambers porn classic we were all supposed to go behind) to catch my friend PENNY ARCADE, touring with WEIMAR NEW YORK. Think a much-more-decadent version of the movie CABARET shot through with extreme genderfuck, camp, politics and panic. I ## Pages - [Home](https://dudleysaunders.com/) - Award winning multimedia writer/musician best known for his avant-folk recordings, which he combines with performance art, video, narrative and text. - [Bio/Press](https://dudleysaunders.com/biopress/) - Dudley Saunders is a writer, composer and multimedia performance artist whose work explores the hidden lives of marginalized people in: performance art, video, fiction, documentary film and experimental folk music. The Kentucky native first began performing his "surreal, modern folk tales" (Village Voice) to downtown New York audiences in the late 80s. He is best - [Contact](https://dudleysaunders.com/contact/) - [Gigs](https://dudleysaunders.com/gigs/) - Check back soon for more info on upcoming gigs. - [Photos](https://dudleysaunders.com/photo/) - [Subscribe](https://dudleysaunders.com/subscribe/) - Learn how to get a song on itunes at ReverbNation.com - [Records](https://dudleysaunders.com/records/) - [Videos](https://dudleysaunders.com/videos/) ## Archives - [Records](https://dudleysaunders.com/records/) - [Videos](https://dudleysaunders.com/videos/) - [Gigs](https://dudleysaunders.com/shows/) ## Records - [The Emergency Lane](https://dudleysaunders.com/records/the-emergency-lane/) - [The Billy White Acre Sessions+](https://dudleysaunders.com/records/the-billy-white-acre-sessions/) - [Monsters](https://dudleysaunders.com/records/monsters/) - Monsters by Dudley Saunders - [Restore](https://dudleysaunders.com/records/restore/) - Restore by Dudley Saunders ## Gigs - [](https://dudleysaunders.com/shows/273/) - [](https://dudleysaunders.com/shows/195/) ## Videos - [WHAT I WON'T DO](https://dudleysaunders.com/videos/what-i-wont-do/) - [Live Excerpt from IN THESE BOXES: Wheelchair in the 7-11 Parking Lot](https://dudleysaunders.com/videos/live-excerpt-from-in-these-boxes-wheelchair-in-the-7-11-parking-lot/) - [LOVE IN CRYSTAL](https://dudleysaunders.com/videos/love-in-crystal/) - [LOVE SONG FOR JEFFREY DAHMER - Lyric Video](https://dudleysaunders.com/videos/love-song-for-jeffrey-dahmer-lyric-video/) - [MONSTER - Lyric Video by Dudley Saunders](https://dudleysaunders.com/videos/monster-lyric-video-by-dudley-saunders/) - [WHEELCHAIR IN THE 7-11 PARKING LOT](https://dudleysaunders.com/videos/wheelchair-in-the-7-11-parking-lot/) - [JESUS DIDN'T LOVE US ENOUGH](https://dudleysaunders.com/videos/jesus-didnt-love-us-enough/) - [ROSEWOOD CASKET](https://dudleysaunders.com/videos/rosewood-casket/) - [ZERO OUT (IN THESE BOXES)](https://dudleysaunders.com/videos/zero-out-in-these-boxes/) - [THE MAN IN THE GAME](https://dudleysaunders.com/videos/the-man-in-the-game/) - [Truck of the Rising Sun (Live)](https://dudleysaunders.com/videos/truckoftherisingsun/) - [The Winding Sheet](https://dudleysaunders.com/videos/thewindingsheet/) - [The Undoing (Every Day)](https://dudleysaunders.com/videos/theundoingeveryday/) - [Monster (Live at Kulak's Woodshed CA)](https://dudleysaunders.com/videos/monster/) - [Coal Tattoo (Live at Molly Malone's Los Angeles)](https://dudleysaunders.com/videos/coaltattoo/) - [Even Cowgirls Get the Blues (LIVE)](https://dudleysaunders.com/videos/even-cowgirls-get-the-blues-live-2/) - [Count Zero (In These Boxes)](https://dudleysaunders.com/videos/countzero/) ## Categories - [Uncategorized](https://dudleysaunders.com/category/uncategorized/) - [ambivalence](https://dudleysaunders.com/category/ambivalence/) - [Anton Chekhov](https://dudleysaunders.com/category/anton-chekhov/) - [araby](https://dudleysaunders.com/category/araby/) - [award](https://dudleysaunders.com/category/award/) - [Billy White Acre](https://dudleysaunders.com/category/billy-white-acre/) - 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[Haruki Murakami](https://dudleysaunders.com/category/haruki-murakami/) - [Heather Woodbury](https://dudleysaunders.com/category/heather-woodbury/) - [hmac](https://dudleysaunders.com/category/hmac/) - [House of Meetings](https://dudleysaunders.com/category/house-of-meetings/) - [I'll Be Your Mirror](https://dudleysaunders.com/category/ill-be-your-mirror/) - [international folk alliance](https://dudleysaunders.com/category/international-folk-alliance/) - [james joyce](https://dudleysaunders.com/category/james-joyce/) - [Jeremiah Clark](https://dudleysaunders.com/category/jeremiah-clark/) - [john zorn](https://dudleysaunders.com/category/john-zorn/) - [justin bond](https://dudleysaunders.com/category/justin-bond/) - [kathy acker](https://dudleysaunders.com/category/kathy-acker/) - [KILLER IN LOVE](https://dudleysaunders.com/category/killer-in-love/) - [Lea McLaughlin](https://dudleysaunders.com/category/lea-mclaughlin/) - [Leonard Cohen](https://dudleysaunders.com/category/leonard-cohen/) - 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